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lectures |
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Campaign
Buttons 2008 |
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Objects
and Interventions
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increment
+ inversion
Atlantic Works Gallery
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Some
Sort of Uncertainty Bruce Campbell, Lina Maria Girlado, Elias Heim, The Institute for Infinitely Small Things, Brian Knep, Nathalie Miebach, Liz Nofziger, Michael Sheridan, and Douglas Weathersby Hours:
Wed, Thurs 6-9pm, Sat, 2-5pm, or by appointment: 617.953.6413 |
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once
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[verde]
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Medellin,
Colombia
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GAY 20 Artists respond to the word Gay...details here. For Monument, I will
fold the Bunker hill monument into the Atlantic Works Gallery through
the window where it's seen protruding across the inner harbor over Charlestown. |
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STENCILS:
Public Space and Social Intervention July 26-
August 25, 2007 Organized by Hiroko
Kikuchi and Alice Vogler What is "stencil" and/or an act of "stenciling"? The exhibition STENCILS features works by artists who have responded this question both literally and metaphorically and defined it through a wide range of subject matters and mediums. Some of the works address particular issues such as the gender bias among young children, media literacy, street violence, politics of value, environmental responsibility, waste from technology, and neighborhood gentrification; others are generated from personal views of what "stencil(ing)" means to them. |
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ONE PILL April 6 -
May 6, 2007 A group exhibition that challenges the viewers own perceptions of scale. By utilizing the two exhibition spaces, you fall through the rabbit hole like alice and explore artwork that in one room makes you larger than life, and in the next room, dwarfs you with images and scale. Upon closer examination, the individual works by each artist hold the viewers attention beyond the perceived sense of scale, and the works create their own world to be entered, and become large even when they take up little space. Curated by sculptor, Sherry Bittle. Art
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Installation progress report and images here Big, Red & Shiny article by Christian Holland here CORE March 12—April
20, 2007 Working with the physical space of the gallery, its myriad past and present uses, and its architecturally significant beginnings, Core presents an abstracted “core sample” of architect William LeBaron Jenney’s Ludington Building, disrupting conventional expectations of architecture. Viewer exploration will complete the work, revealing reflections of the building's past, from the vibration of printing presses to toothpaste and auto-parts.
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award |
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Artist
in Research Research
and Development toward Core.... |
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Yield (2005) Select enero
2007 from pull down menu. |
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Episode 6: |
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centerfold in neural
MAY
2006
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| Intersections
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Propio y Ajeno
Issue 24 
